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Snare Drum Thursdays

Snare Drum Warm-Up, Part 1

Start with the big muscles.

The first in a five-part series about developing the ideal snare drum warm-up routine.

 

As an educator and professional performer, I have noticed that over the years, my practice time has decreased for one reason or another. I have also found that the older I get, the harder it is for me to start playing without first warming up.

Creating a warm-up routine is an individual process and what works for me will not necessarily work for everyone. That said, a good warm-up:

1)  Is a reasonable length. If it is too short, it won’t be effective; if it is too long there won’t be enough time to do it every day. The routine I’ll be presenting in these articles takes just 10 – 15 minutes from start to finish.

2)  Starts with big muscles and moves to smaller muscles.

3)  Evolves over time. As you learn new repertoire, you need to adapt the warm-up to help with the technical demands.

Element #1: Warming Up the Big Muscles

The goal of this exercise is to get your big muscles moving. It’s also a time to forget about everything else that is going on in your life and listen to the sound you are creating on your instrument.

Start with a classic “8 on a hand”:Musical annotation.

Then move on to a “clone” of the exercise:

Musical annotation.

(This term comes from Teaching Percussion by Gary Cook. He uses “cloning” to mean having both hands playing at the same time.)

Advanced players can add this exercise, which incorporates different stroke types:

Musical annotation.

F = Full Stroke, D = Down Stroke, U = Up Stroke

Remember to start at a slow tempo and use a big range of motion to get your muscles loose. Use a metronome and track your progress.

Feel free to create your own routine! Share your results with me at percussion@yamaha.com.

Coming in Part 2: Transitioning from big muscles to small ones.



ABOUT THE AUTHOR

Dr. Dave Gerhart, Product Manager for Yamaha Percussion and advocate for all things percussion, is a nationally recognized performer, composer and educator. Dr. Gerhart holds a D.M.A. from the University of Southern California, an M.M. in Percussion Performance and Instrumental Conducting, and a B.M. in Music Education from California State University, Long Beach. Before joining Yamaha, Dr. Gerhart was a Yamaha Performing Artist. He now travels the U.S. talking percussion and sharing his passion for music education. In his free time, he teaches at the CSULB Steel Drum Orchestra and has published works for percussion and steel drum ensembles.

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