Continuing the story of Disklavier:
In 2002, Yamaha updated the Disklavier once again, introducing the Mark III standard Disklavier (available in the U1 upright and most models of grands) and the Mark III PRO, available in the C3 and larger pianos.
The Mark III control unit and interface was nearly identical to that of the Mark IIXG. All standard models included the Silent system and improved playback that could be made quieter for the benefit of consumers who enjoyed listening with the volume turned very low.
In addition, the Mark III PRO offered double the resolution for the pedals, enabling recording on a scale of 0-255.
The Mark III control unit included something new: a CD drive in addition to the traditional floppy drive. The purpose of the CD drive was not to record MIDI data but rather to play back audio recordings, making three new features available:
1) Audio-sync Recording: This made it possible to play along with an audio recording and add a piano part that would be automatically synchronized on subsequent playback.
2) PianoSoft Plus Recordings: The CD drive was capable of playing a new type of format called PianoSoft Plus. These kinds of recordings contained normal instrumental and/or vocal audio on the left channel and MIDI data encrypted as audio on the right channel. During playback, the Disklavier would intelligently send the left-channel audio to both the left and right speakers and decode the right-channel audio for playback by the piano itself.
3) Smart PianoSoft Recordings: This made it possible for artists to create piano recordings that enhanced existing audio CDs. A Smart PianoSoft Recording consisted of two separate recordings: a commercial audio CD and a Disklavier MIDI recording on floppy disk, both played back in perfect sync.
The year 2004 saw the introduction of the Mark IV. Standard and PRO models were available on the C3 and larger grands. A high quality consumer model was available on the C2 (5’8″) grand and smaller pianos.
In addition to all of these technical improvements, the Disklavier feature set expanded considerably including:
IIn 2009, Yamaha began to offer an upgraded control unit for older model Disklaviers. Outwardly, it is identical to the E3 control unit (which is called the DKC-800) and offers the same user features.
The DKC-850 can be used as a replacement control unit for Mark IIXG and Mark III Disklaviers – both PRO versions and non-PRO versions. It does not change the recording and playback capabilities of the sensors and solenoids in these earlier Disklaviers, but it does provide a user experience that is nearly identical to that of the E3, including connectivity for USB storage devices and access to advanced features such as DisklavierRadio and DisklavierTV.
The DKC-850 can also be used as an add-on control unit for the Mark II Disklavier, connecting to the Mark II control unit with MIDI cables. Other than turning on the old control unit, the Disklavier owner can then ignore the old control unit and use the features of the DKC-850 instead. It should be noted, however, that DisklavierRadio and DisklavierTV are not supported in this configuration.
In 2012, Yamaha replaced the Mark IV series with standard and PRO versions of the E3. The standard version (complete with hammer sensors) was made available on the C2 and smaller grand pianos. All larger pianos (from the C3 on up) were outfitted with the PRO system.
About the same time as the introduction of the second generation E3s, Yamaha introduced a new feature for the Mark IV, E3 and DKC-850 called DisklavierTV. DisklavierTV is built on a technology called RemoteLive that enables the live streaming and archiving of video, audio and Disklavier performance data (e.g. MIDI data). By connecting a compatible Disklavier to both the Internet and to a computer, Disklavier owners can watch as well as listen to live and archived performances that are reproduced on their own piano – even performances that include instrumental and vocal audio.
The introduction of the second generation E3 coincided with the debut of a new series of grand pianos called the CX series. CX pianos are based on design principles that were previously featured on the CFX concert grand piano, an instrument that made its way to the concert stage in 2010.
CX series pianos were the result of years of research and development. The instruments feature a thickened back frame for improved support, providing a rich and resonant tone. They include a new, revolutionary piano wire as well as hammers based on those found in the CFX concert grand.
Want to continue learning about the history of Disklavier? Check out the next chapter of this four-part series.
And if you missed it, catch up on the first two chapters now:
And at any time, you can check out what is happening now at our dedicated site for Yamaha Disklavier.